Edward Willis Redfield (American, 1869-1965), Winter in the Valley, c. 1920s, oil on canvas, 36 x 50 inches, Museum Purchase, Reading Public Museum, Reading, Pennsylvania.

American Impressionism: The Lure of the Artists’ Colony

Organized by the Reading Public Museum, Reading, Pennsylvania

December 9 – February 18, 2017

Jenkins Gallery

This comprehensive exhibition features one of the Reading Public Museum’s greatest strengths – its collection of works by American Impressionists. The exhibition includes more than one hundred total works, including more than eighty oil paintings and nearly thirty works on paper dating from the 1880s through the 1940s. Outstanding landscapes – ranging from snow covered hills to sun filled harbors – seascapes, penetrating portraits, and remarkable still lifes, imbued with rich textures, reveal the artists’ interest in capturing effects of light and atmosphere in their work.

The exhibition is arranged according to the artists’ colonies that played a critical role in the development of American Impressionism including those at Cos Cob and Old Lyme in Connecticut; Cape Cod, Cape Ann, and Rockport, in Massachusetts; New Hope and Philadelphia in Pennsylvania; Taos, New Mexico; and California. In addition, American expatriate artists such as Mary Cassatt and John Singer Sargent are examined.

Other leading artists of the movement include William Merritt Chase, Childe Hassam, Ernest Lawson, Julian Alden Weir, John Twachtman, Chauncey Ryder, Frank W. Benson, William Paxton, Abbott Thayer, Guy Wiggins, Charles Webster Hawthorne, Colin Campbell Cooper, Daniel Garber and Edward Redfield, among others.

 
 

Exhibitions Partner:

Exhibition Sponsors:

Annual Exhibition Fund Donors:

Barney's Pumps, Inc.
Dorothy Chao Jenkins
CNP · Clark/Nikdel/Powell
Core Wealth Advisors, Inc.
Margaret M. Decker Foundation
MIDFLORIDA
Eaglebrooke
Robert & Malena Puterbaugh
Dr. Alan & Linda Rich Fund
within the Give Well Community Foundation
Share Foundation
Southern Homes
Kerry & Buffy Wilson


Humberto Castro, Immigrant, 2016, Mixed media on paper, 29 x 41 inches. © Humberto Castro

Tracing Antilles: A Shared Voyage

October 15, 2016 - January 15, 2017

Perkins Gallery

Tracing Antilles is an on-going project produced by multi-media artist Humberto Castro. Based on a series of historical and visual explorations of the islands of Greater Antilles (Cuba, Haiti and the Dominican Republic, Puerto Rico, Jamaica, and the Cayman Islands), the artist investigates the evolution of culture in this highly complex region. The work does not aspire to be a chronological account of historical events, but seeks to explore impressions, or traces, of collective experience that still influence the Caribbean psyche and artistic expression today.  A key aspect of his project is that of the artistic journey, travelling through the islands and immersing himself in the culture. Many of the works incorporate found objects brought from the islands.

Castro was born and educated in Cuba. He spent the first ten years of his career in Havana; then, in 1989, he immigrated to Paris where he lived for ten years, where he became active in the Parisian intellectual scene.  In 1999, he moved to Miami where the confrontation with his own past and memory inspired him to examine his personal history of migration and displacement within the larger context of Caribbean history.

 

Public Lecture with Humberto Castro: Friday, October 14, 2016

 
 

Exhibitions Partner:

Exhibition Sponsors:

 

Annual Exhibition Fund Donors:

Barney's Pumps, Inc.
Dorothy Chao Jenkins
CNP · Clark/Nikdel/Powell
Core Wealth Advisors, Inc.
Margaret M. Decker Foundation
MIDFLORIDA
Eaglebrooke
Robert & Malena Puterbaugh
Dr. Alan & Linda Rich Fund
within the Give Well Community Foundation
Share Foundation
Southern Homes
Kerry & Buffy Wilson

 

Alison LaMons, Joy, 2016, Water color on paper with iridescent medium, 22" x 30"      © Alison Studios

Neon Nostalgia: Works by Alison LaMons

December 10, 2016 - March 12, 2017

Murray & Ledger Galleries

Alison LaMons, a local emerging artist, uses vibrant watercolor to paint neon signs, both real and imagined. LaMons feels that combination of text and iconography in neon signs gives her the freedom and the vocabulary to shape her message.

Georges Claude displayed the first neon lamp to the public on December 11, 1910, in Paris. Roughly a century later, neon lighting is becoming a thing of the past. For LaMons, a neon sign is the perfect metaphor for life in the 20th century – a “quintessential artifact of a culture, a century, and a country.” It encapsulates our consumerism, artificiality, and the ephemeral nature of it all.

“This is neon. It tells the story of our lives. It shows us all of what we are (the glory as well as the grit), how we live in all its facets and from where we have come in one hundred years of modern and post modern history.”

This exhibition is part of The Arts on the Park Series.

 

Exhibition Partner:

Exhibition Sponsors:

 

Annual Exhibition Fund Donors:

Barney's Pumps, Inc.
Dorothy Chao Jenkins
CNP · Clark/Nikdel/Powell
Core Wealth Advisors, Inc.
Margaret M. Decker Foundation
MIDFLORIDA
Eaglebrooke
Robert & Malena Puterbaugh
Dr. Alan & Linda Rich Fund
within the Give Well Community Foundation
Share Foundation
Southern Homes
Kerry & Buffy Wilson


Monkey Business: Ruben Ubiera at Polk Museum of Art

Ruben Ubiera, Monkey Business, Painted mural, 16' x 24'.

For the first time in its 50 year history, the Polk Museum of Art partnered with an accomplished Florida artist to produce an on-site, large-scale interior mural. Florida artist Ruben Ubiera designed and created a unique mural measuring 16’ x 24’ directly onto one of the Museum’s most prominent walls. The Museum will  remain on view through the end of the year. This is the Museum's first on-site mural project and Ubiera's first major museum commission. 

About the Artist

Given its history of support for accomplished Florida artists, the Polk Museum of Art has chosen to work with Miami artist Ruben Ubiera. A native of the Dominican Republic, Ubiera moved with his family to the Bronx, NY, where he was influenced by the city’s gritty street graffiti. Now working in Miami’s Wynwood Art District, Ubiera contributes to the area’s recent nomination as a capital for sophisticated public street art. Inspired by man’s relationship with the urban environment, Ubiera combines concept and technique with narrative and an old-school essence of graffiti. This new style of street art is often referred to as Postgraffism, or according to Ubiera “urban-pop.” His murals embody a new spirit of urban aesthetic, distanced from the old perceptions of unrefined graffiti. He considers himself one of the “neo-illustrators and designers who are experimenting with new media, but have been influenced by graffiti . . .” He has certainly distinguished himself as belonging to a new generation of street artists. You can learn more about Ruben Ubiera at his website, http://www.urbanpopsoul.com.

Special thanks to the community of supporters who made this project possible through donations to the Museum's Kickstarter campaign.


Learning to Be Me:  K- 2nd Grade Elementary Students Exhibition

Student Gallery

November 12 - December 11, 2016
Awards Ceremony: Saturday, November 19, 11am and 1pm

This exhibition showcases the creative achievements of K-2 students of Polk County School District elementary school students. This year, the exhibition highlights artwork from twenty four district elementary schools. Certificates and awards are presented to encourage further development of these students’ artistic aptitude. The awards ceremony and reception will be on November 19, 2016 at 11am, and 1pm. 

For more information about our Student Gallery, visit our Student Gallery page.

Sponsored by: MIDFLORIDA Credit Union, Publix Super Markets Charities and Saddle Creek Logistics Services

 


David Maxim

Three works by Maxim, Four Winds, Time's Speed, and White Circle, will be on display in the Taxdal Gallery through mid-December.

David Maxim is a San Francisco-based artist whose mixed media creations are about mythologies, the passage of time and natural forces. In many ways, these works are also connected to the themes of power and vulnerability: raging storms, human strength, psychological challenges and the impact of history. Maxim’s signature expressive style, with its energetic line and spilled color, contributes to depicting power and the anxiety of being impacted by that power.  

David Maxim’s work has been exhibited across the country and in Europe, and has been collected by many museums, including The British Museum in London, Museum of Fine Arts in Houston, Museum of Modern Art in San Francisco, the Nelson-Atkins Museum of Art in Kansas City, and Museum für Moderne Kunst in Frankfurt, Germany.

David Maxim, Time's Speed, 1990, Acrylic on wood, canvas, cotton bags, twine, rope, metal fittings, and Styrofoam, Gift of Kelly Horner, Polk Museum of Art Permanent Collection 2001. 18.1


Collections Spotlight: Romero Britto, San Paulo Landscape

Romero Britto, San Paulo Landscape, 2004, Acrylic on canvas, Polk Museum of Art Permanent Collection 2004.14, Gift of Romero Britto © Romero Britto

November 16, 2016 - January 21, 2017

Hollis Gallery

Romero Britto is a Brazilian neo-pop artist, painter, serigrapher, and sculptor. He combines elements of cubism, pop art and graffiti painting in his work, using vibrant colors and bold patterns as a visual expression of hope and happiness.

 

FREE Public Lecture with Romero Britto.

Thursday, December 15, 2016
6:00pm – 7:30pm

Please RSVP at Reservations@PolkMuseumofArt.org.

 


 

Continuing Exhibitions


Remojadas Culture, Seated Male Figure, 500-700 CE, Ceramic, Polk Museum of Art Permanent Collection 1983.1.6, Gift of Dr. and Mrs. David Taxdal.

Ancient Art of the Americas

David and Lucia Taxdal Pre-Columbian Gallery

Ancient Art of the Americas, a refocused installation of the Museum’s collection of Pre-Columbian artworks which was completed in December 2000, and updated with recent acquisitions in March 2003, features a comprehensive overview of artifacts from Mexico, Central America, Colombia and Peru. The gallery is divided into two themed rooms. Warriors, Priests, and Rituals presents effigies related to those three categories, including bound prisoners, warriors ready for battle, and priest figures. The second room is arranged geographically, with artifacts grouped according to the current name of the country in which they were found. This arrangement allows visitors to see how cultures that were geographically close influenced each other. This room also contains an archaeology display which explains how scientists uncover and interpret artifacts like those in the gallery.

 

Sculpture Court

Contemporary works by  by James Bassham, Jane Jaskevich, Fonchen Lord, Carol Brown and Michael Mick are featured in the Museum's permanent outdoor exhibition space.

Material World: A Global Family Portrait

Marks Gallery

The Material World: A Global Family Portrait exhibition is the result of American photojournalist Peter Menzel’s project to help viewers grasp a sense of cross-culture realities and to celebrate our common humanity. Sixteen of the world’s foremost photographers traveled around the world, visiting thirty different countries to live for a week with families that are statistically average for that nation. At the end of each visit, the photographer and subjects collaborated on the Big Picture, a remarkable portrait of the family outside of its home, surrounded by all of its possessions. This exhibition is an attempt to capture through photos and statistics, both the common humanity of the peoples inhabiting our Earth and the great differences in material goods and circumstances that make rich and poor societies.

Hungry Planet: What the World Eats

Marks Gallery

For the first time in history, more people are overfed than underfed. And while some people still have barely enough to eat, others overeat to the point of illness. To find out how mealtime is changing in real homes, authors Peter Menzel and Faith D’Aluisio visited families around the world to observe and photograph what they eat during the course of one week. During their project, they sat down to eat with twenty-five families in twenty-one countries.

As Peter and Faith ate and talked with families, they learned firsthand about food consumption around the world and its corresponding causes and effects. The resulting family portraits, which are displayed in this exhibition, offer a glimpse into the cultural similarities and differences served on dinner plates around the globe.

This show joins Material World: A Global Family Portrait in the Marks Gallery to stimulate further thought and discussion about cultural commonalities and differences.