This exhibition showcases a selection of 11 works chosen from the 42 works by Cubans in the Polk Museum of Art’s permanent collection, 33 of which were created by exiles and 9 by artists who live in Cuba.
SUN + LIGHT is a collection of works from the series Everyone Loves the Sunshine by contemporary visual artist Charles Williams. Captured through emotionally charged and compelling imagery, works featured in this exhibition juxtapose Williams' own personal encounters, past and present, with the Civil Rights movement of the 1960's.
Painted Pages: Illuminated Manuscripts explores the golden age of handmade books, some of which employed elaborate gold leaf decoration and intricate ornament.
Richard Haas is best known as a master of trompe l’oeil, illusionistic painting.
Paintings and works on paper help tell the story of the new style of painting which developed at the end of the nineteenth century
Lorrie Goulet: Seventy Years Carving celebrates the storied career of a sculptor, painter, and poet who first made her name in the 1950s and 1960s as a female artist who identified herself principally as a carver — a term that aptly describes her hands-on and intuitive approach to sculpting directly from stone and wood.
There exists a complex tangle of trajectories between art, culture and technology.
This intimate two-work installation of Gabriela Gonzalez Dellosso’s The Recyclers featuring the finished painting and its study hung side-by-side — provides an instructive opportunity for viewers to engage in the process of close looking, gaining better understanding of the artist’s process and the methodology underlying her imaginative contemporary spin on Old-Master-style painting.
Richard Segalman was born in Coney Island, New York in 1934, and the timeless American-ness of his iconic birthplace — think amusement parks and seaside relaxation — seems to echo the timelessness one feels when looking at his work in any medium.