Paintings and works on paper help tell the story of the new style of painting which developed at the end of the nineteenth century
This two-gallery, two-part installation highlights the important contributions and strides female artists made in the art worlds of the 1980s and 1990s. Selected from the Museum’s permanent collection and situated adjacently in Gallery II and the Perkins Gallery, these thematically related exhibitions present an instructive visual dialogue with one another, allowing viewers to engage with art not merely from two decades but also through an exclusively female lens.
Richard Haas is best known as a master of trompe l’oeil, illusionistic painting.
Painted Pages: Illuminated Manuscripts explores the golden age of handmade books, some of which employed elaborate gold leaf decoration and intricate ornament.
Will Barnet (1911-2012) was an American original. While he may not be a household name today, his nine-decade influence as an artist, teacher, and exemplar of inimitable American modernism was profound. With more than 80 one-man exhibitions at major institutions like the Metropolitan Museum, the Whitney, and the Guggenheim and a body of work that, despite its stylistic variety, is always recognizably his own, Barnet achieved wide acclaim during his lifetime. In this installation of 22 recently gifted and loaned works by Barnet from the permanent collection, we can begin to see why.
Indeed, Barnet forged a unique path through 20th century art history. At once a dedicated realist and figurative artist when pure abstraction was the norm and an experimenter in abstraction when other artists renewed their interest in representation, Barnet defied expectations about how modern artists should produce art, refusing to bend to the whims of any contemporary trends.
There exists a complex tangle of trajectories between art, culture and technology.
This comprehensive exhibition featured one of the Reading Public Museum’s greatest strengths – its collection of works by American Impressionists