[Essay] The Paintings of Gabriela Gonzalez Dellosso

[Essay] The Paintings of Gabriela Gonzalez Dellosso

“Through A Brush With HerStory, my goal is to resurrect these artists from the shadows of history and the depths of dusty archives. Obstacles of the day — whether it was lack of training, family obligations, or the restraints placed by society upon their practice of painting — did not stand in the way of their craft. They were not the shining stars of art but were the quiet undercurrent that existed with little or no forum to rise above the premier art establishments of the era.”

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[Essay] Music & Dance in Painting of the Dutch Golden Age

[Essay] Music & Dance in Painting of the Dutch Golden Age

The exhibition delves deeply into the art, history, and culture of the Netherlands in the 17th century, a period of great wealth and cultural achievement for the Dutch people. In what was then already called a Golden Age, the Netherlands was a world power whose military fleet was growing and where trade, science, and the arts flourished as never before.

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[Watch] A Brush with Herstory: Gabriela Gonzalez Dellosso discusses her paintings

[Watch] A Brush with Herstory: Gabriela Gonzalez Dellosso discusses her paintings

Gabriela Gonzalez Dellosso is a premier portrait artist whose art historical knowledge is surpassed only by the skill of her brushwork. This exhibition features Dellosso’s tribute paintings to great but often-overlooked female masters of the past.

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[Watch] An Interview with African Art Collectors Dr. Alan and Linda Rich

[Watch] An Interview with African Art Collectors Dr. Alan and Linda Rich

In this combined lecture, Dr. Alex Rich explains the source of two concurrent exhibits at the Polk Museum of Art. Spirits: Ritual and Ceremonial African and Oceanic Art from the Dr. Alan and Linda Rich Collection in one gallery and Global Art of the 1970s: From the SC Johnson Collection in another gallery.

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[Watch] Ritual and Ceremonial African and Oceanic Art & Global Art of the 1970s

[Watch] Ritual and Ceremonial African and Oceanic Art & Global Art of the 1970s

In this combined lecture, Dr. Alex Rich explains the source of two concurrent exhibits at the Polk Museum of Art. Spirits: Ritual and Ceremonial African and Oceanic Art from the Dr. Alan and Linda Rich Collection in one gallery and Global Art of the 1970s: From the SC Johnson Collection in another gallery.

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[Essay] Global Art of the 1970's: From the SC Johnson Collection

[Essay] Global Art of the 1970's: From the SC Johnson Collection

This exclusive exhibition features works selected from the private collection of the SC Johnson Company, most of which have never before traveled outside The Council House, the company’s international conference center in Racine, Wisconsin. Featuring works in all media and crossing all stylistic and geographic boundaries, this Polk Museum original exhibition offers audiences a deep dive into rarely seen art from one of the most consequential decades in art history.

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[Watch] Across the Atlantic: American Impressionism through the French Lens

[Watch] Across the Atlantic: American Impressionism through the French Lens

This extraordinary exhibition, drawn entirely from the collection of the Reading Public Museum, explores the path to Impressionism through the nineteenth century, and the complex relationship between French Impressionism of the 1870s and 80s, and the American interpretation of the style in the decades that followed.

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[Watch] Double Vision: Photocentric Paintings by Richard Heipp

[Watch] Double Vision: Photocentric Paintings by Richard Heipp

Works by artist and University of Florida professor Richard Heipp occupy the gray area between the manually produced painting and the digitally reproduced image. They therefore position the viewer at the crossroads of looking and seeing. Heipp describes his paintings as photocentric; they are not intended to be merely based on mechanically produced images, but are instead air-brushed simulations of photographs and scanned objects. At first, these hyperrealistic paintings appear mechanically reproduced, but transform upon closer inspection. They perpetuate that deception between art and audience, pierce the veneer of first impressions, and force us to pause for a new and unexpected interpretation.

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