Works by artist and University of Florida professor Richard Heipp occupy the gray area between the manually produced painting and the digitally reproduced image. They therefore position the viewer at the crossroads of looking and seeing. Heipp describes his paintings as photocentric; they are not intended to be merely based on mechanically produced images, but are instead air-brushed simulations of photographs and scanned objects. At first, these hyperrealistic paintings appear mechanically reproduced, but transform upon closer inspection. They perpetuate that deception between art and audience, pierce the veneer of first impressions, and force us to pause for a new and unexpected interpretation.