Will Barnet (1911-2012) was an American original. While he may not be a household name today, his nine-decade influence as an artist, teacher, and exemplar of inimitable American modernism was profound. With more than 80 one-man exhibitions at major institutions like the Metropolitan Museum, the Whitney, and the Guggenheim and a body of work that, despite its stylistic variety, is always recognizably his own, Barnet achieved wide acclaim during his lifetime. In this installation of 22 recently gifted and loaned works by Barnet from the permanent collection, we can begin to see why.
Indeed, Barnet forged a unique path through 20th century art history. At once a dedicated realist and figurative artist when pure abstraction was the norm and an experimenter in abstraction when other artists renewed their interest in representation, Barnet defied expectations about how modern artists should produce art, refusing to bend to the whims of any contemporary trends.
SUN + LIGHT is a collection of works from the series Everyone Loves the Sunshine by contemporary visual artist Charles Williams. Captured through emotionally charged and compelling imagery, works featured in this exhibition juxtapose Williams' own personal encounters, past and present, with the Civil Rights movement of the 1960's.
Painted Pages: Illuminated Manuscripts explores the golden age of handmade books, some of which employed elaborate gold leaf decoration and intricate ornament.
Richard Haas is best known as a master of trompe l’oeil, illusionistic painting.
Paintings and works on paper help tell the story of the new style of painting which developed at the end of the nineteenth century
This exhibition showcases a selection of 11 works chosen from the 42 works by Cubans in the Polk Museum of Art’s permanent collection, 33 of which were created by exiles and 9 by artists who live in Cuba.
Lorrie Goulet: Seventy Years Carving celebrates the storied career of a sculptor, painter, and poet who first made her name in the 1950s and 1960s as a female artist who identified herself principally as a carver — a term that aptly describes her hands-on and intuitive approach to sculpting directly from stone and wood.
There exists a complex tangle of trajectories between art, culture and technology.
This intimate two-work installation of Gabriela Gonzalez Dellosso’s The Recyclers featuring the finished painting and its study hung side-by-side — provides an instructive opportunity for viewers to engage in the process of close looking, gaining better understanding of the artist’s process and the methodology underlying her imaginative contemporary spin on Old-Master-style painting.
Richard Segalman was born in Coney Island, New York in 1934, and the timeless American-ness of his iconic birthplace — think amusement parks and seaside relaxation — seems to echo the timelessness one feels when looking at his work in any medium.